Brooklyn’s Dancing In Tongues—made up of interdisciplinary artist Sarah Martin-Nuss and drummer, producer David Nuss—craft a sound where crystalline vocals fracture and refract against intricate, shape-shifting rhythms. Their music moves between electronic experimentation and raw, unfiltered emotion—fluid yet intentional, intimate yet expansive. Elements of indie dance and avant-pop pulse beneath layers of textural tension, each track unfolding with a deliberate sense of movement. There’s an organic evolution to their music, a feeling of something alive in the circuitry, where instinct and abstraction collide in hypnotic, deeply felt spaces.